Omer Fast is a video artist based in Berlin. Much of his work delves into the psychology of contemporary trauma, often relying on the blurring of memory and the retelling of actual events through cinematic convention. Fast’s work moves beyond the formalities of the genre, pushing through reality and non-reality of his subject matter, and is ultimately about the status of the image as a tool to disseminate information, both real and manufactured.

In his work as a filmmaker, Omer Fast defines a new relationship between reality and fiction. He is interested in exploring the construction of narratives, in particular how stories change when told from different perspectives. Many of his recent works examine the shifting boundaries of modern conflict through the personal stories of those involved. Fast borrows from traditions of documentary, dramatization and fantasy, and use human emotions as stand-ins for the larger socio-political reality of contemporary warfare.

Fast’s films have a tendency to manipulate time, through the deft use of repetition, looping, and reenactment. In his 2011 film project 5,000 Feet is the Best, Fast explores the experiences of a Predator drone operator firing on militants and civilians, based on accounts both on and off the record. The film oscillates between audio of recorded interview from the drone pilot, and the reenactment of the meeting between the reporter and the pilot in a Las Vegas motel room. The work was received with critical acclaim for the subtle presentation of the complexity of this controversial issue, neither glorifying nor vilifying the pilot.

Remainder (2015), the artist's first feature lenghth film, is an original adaptation of Tom McCarthy’s novel of the same name. The film tells the story of an unnamed young man who, after suffering a horrific head trauma caused by ‘technology parts and bits’ falling from the sky, remembers nothing and no one of his life before. The film follows the man through the aftermath of the accident as he struggles to establish an identity, left with only fragments of memories from his past.

Omer Fast (b. 1972, Jerusalem) spent his early years between Israel and New York. His work has been exhibited extensively in the United States and internationally.