G I L L I A N W E A R I N G Born 1963 Birmingham, United Kingdom.Currently lives and works in London.Education1987-90 Goldsmiths' College, University of London, B.A. (Hons.) Fine Art1985-87 Chelsea School of Art, B.TECH Art & DesignSolo Exhibitions(C) denotes that a catalogue was published in conjunction with the exhibition.2012-2013 Gillian Wearing, Whitechapel Art Gallery, London; traveling to K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (c)2011 Gillian Wearing: People, Tanya Bonakdar Gallery, New York2010 Self Made: Debut feature from artist Gillian Wearing, merging real and imaginary lives, 54th BFI London Film Festival, London, UK2009 Whitechapel Gallery, London Gillian Wearing Confessions: Portraits, Videos, Musée Rodin, Paris, France2008 Pin Ups and Family History, Regen Projects, Los Angeles2007 Family Monument, Galleria Civica di Arte Contemporanea, Trento, Italy (permanent) Elsewhere?, Galleria Emi Fontana, Milan.2006 Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne, Victoria, Australia, (C). Family History, in conjunction with the Film and Video Umbrella, traveling to: The Forbury Hotel Apartments, Reading; Ikon, Birmingham. Family History, Maureen Paley, London, (C).2005 Snapshot, Bloomberg Space, London. Outreach Award, Rencontres d’Arles Festival, Arles, France, (C).2004 Frans Hals Museum, Haarlem, The Netherlands. Album, Regen Projects, Los Angeles. Kiasma/Museum of Contemporary Art, Helsinki.2003 Album, Gorney Bravin+Lee, New York. Album, Maureen Paley Interim Art, London. Mass Observation, ICA Philapelphia. Mass Observation, Musée d'Art Contemporain de Montréal.2002 Mass Observation, Museum of Contemporary Art, Chicago, (C). A Trilogy, Vancouver Art Gallery, Vancouver, (C). Kunsthaus Glarus, Glarus, Switzerland.2001 Angel Row Gallery, Nottingham. Centro Galego de Arte Contemporánea, Santiago, Spain. Unspoken, Kunstverein München, Munich, (C). Museo do Chiado, Lisbon. Sous Influence, Musée d’Art Moderne de la Ville de Paris, Paris. “la Caixa”, Madrid. `Bluecoat Gallery, Liverpool.2000 Regen Projects, Los Angeles. Serpentine Gallery, London, Curated by Lisa G. Corrin, (C). Gorney Bravin+Lee, New York.1999 A Woman Called Theresa, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece. Galerie Anne de Villepoix, Paris. Drunk, De Vleeshal, Middelburg, The Netherlands. Maureen Paley Interim Art, London.1998 Spacex Gallery, Exeter, England. Gallery Koyanagi, Tokyo, Japan. Centre d’Art Contemporain, Geneva, Switzerland. 1997 Galerie Drantmann, Brussels, Belgium. Jay Gorney Modern Art, New York. Wiener Secession, Vienna, Austria, (C). 10 - 16, Chisenhale Gallery, London. Kunsthaus Zürich, Switzerland. Emi Fontana, Milan, Italy.1996 Maureen Paley Interim Art, London. Wish You Were Here (Video Evenings at De Appel), Amsterdam. Le Consortium, Dijon, France. Gillian Wearing, City Projects - Prague, Part II, The British Council, Prague, (C). Valentina Moncada, Rome (British Council). Maureen Paley Interim Art, London1995 Western Security, Hayward Gallery, London1994 Maureen Paley Interim Art, London1993 City Racing, LondonGroup Exhibitions(C) denotes that a catalogue was published in conjunction with the exhibition.2011 ROBERT MAPPLETHORPE: NIGHT WORK, curated by Scissor Sisters, Alison Jacques Gallery, London Documentary Fortnight 2011:MoMA’s International Festival of Nonfiction Film and Media, Museum of Modern Art, New York, NY2010-2011 Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, CA The Talent Show, Walker Art Center, Minneapolis, MN; traveling to MoMA PS1 Contemporary Arts Center, Long Island City, NYHaunted: contemporary photography, video, performance, Solomon R. Guggenheim Museum, New York, NY; traveling to Guggenheim Bilbao, Spain2010 Auto-Kino!, Temporäre Kunsthalle Berlin, Berlin, GermanySkin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, NY, curated by Jeff Koons (c) Niet Normaal, Beurs van Berlage, Amsterdam, The NetherlandsThe Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai, ChinaParty!, The New Art Gallery Walsall, Walsall, UKRewind: 1970s-1990s, Works from the MCA Collection, Museum of Contemporary Art, Chicago, ILThe Original Copy: Photography of Sculpture, 1839 – Today, Museum of Modern Art, New York, NY2009-2010 The Reach of Realism, Museum of Contemporary Art, North Miami, FL Niet Normaal, Beurs van Berlage, Amsterdam, The Netherlands Dogmatic cosmetic: Collection of Contemporary art “la Caixa” Foundation, curated by Luis Gordillo, Caixa Forum, Barcelona, Spain2009 Portrait-making, Rodin to Gillian Wearing, MUSÉE RODIN, Paris2008-2009 Strange Bodies: Figurative Works from the Hirshhorn Collection, Hirshhorn Museum and Sculpture Garden, Washington, DC2008 History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo EXISTENCIAS, MUSAC, León, Spain. Collection of the Irish Museum of Modern Art, Sala Kubo-Kutxa, San Sebastian. Print the Legend: Contemporary Art and the Western, The Fruitmarket Gallery, Edinburgh. Person of the Crowd: zThe Contemporary Art of Flanerie, Neuberge Museum of Art, Purchase College, Purchase, NY TARANTULA, The Fondazione Nicola Trussardi in collaboration with Milano in Alto, Piazza del Duomo, Milan Martian Museum of Terrestrial Art, Barbicon Art Gallery, London, UK Worlds on Video, Centro di Cultura Contemporaneo Pallazzo, Florence, Italy 2007 Breaking step/Uraskoraku, Museum of Contemporary Art, Belgrade, (C). Held Together with Water, MAK, Vienna, (C). Passion Complex, 21st Century Museum of Contemporary Art, Kanazawa, Japan, (C). Role Exchange, Sean Kelly, New York. Talking Pictures: Theatricality in Contemporary Film and Video Works, K21, Düsseldorf. The Turner Prize: A Retrospective, Tate Britain, London. Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum, New York, (C).2006 Eye On Europe: Prints, Books and Multiples / 1960 to Now, The Museum of Modern Art, New York. Aftershock, Contemporary British Art 1990 – 2006, Guangdong Museum of Art, Guangzhou, China & Capital Museum, Beijing, China. Before the Camera: Remaking Reality and the Make-believe, Norton Museum of Art, West Palm Beach, Florida. Local Stories, Modern Art Oxford, Oxford, (C). Live Screen, Lilian Baylis Theatre at Saddlers Wells, London. Of Mice and Men, Fourth Berlin Biennial for Contemporary Art, Berlin, (C). Making History – Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 2006, (C). Mouvement: Des Deux Côtés du Rhin, Museum Ludwig, Cologne, (C). People, Museo D’Arte Contemporanea Donnaregina, Naples. Portrait of Artists, Luring Augustine. Me, Myself and I, Contemporary Art Center of Virginia. Shoot the Family, touring exhibition: Cranbrook Art Museum, and others. The Monty Hall Problem, Blum & Poe, Los Angeles. A Short History of Performance part IV, Whitechapel Art Gallery, London, (C). Raconte-moi/ Tell me, Casino Luxembourg, Luxembourg.2005 The Kyber Arts Center, Nova Scotia. The Gesture, A visual library in progress, Macedonian Museum of contemporary Art, Thessaloniki, Greece, and Quarter, Centro Produzione Arte, Florence, 2005, (C). New Work/New Acquisitions, MOMA The Museum of Modern Art, New York Sculpture in the park, Durham Art Gallery & DLI Museum, England. Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006), (C). Irreducible: Contemporary Short Form Video, CCAC Wattis Institute for Contemporary Arts, San Francisco, & The Bronx Museum of the Art, New York, (C). 25. Twenty-five years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin, (C). raconte-moi, Musee national des beaux-arts du Quebec, Canada, (C). Family Pictures – Fotografia contemporanea e Video dalla Collezione del Guggenheim Museum, Galleria Gottardo, Switzerland, (C).2004 Faces in the crowd – Picturing modern life from Manet to today, The Whitechapel art gallery, London, UK. With all due intent, European Biennial of contemporary art, Spain, (C). Inaugural Show: MoMA reopening, Museum of Modern Art, New York Social Creatures: How body becomes art, Sprengel Museum Hannover, (C). ART NEWS: contemporary artists working with newspaper, Three Colts Gallery, London. Revolving Doors, Fundación Telefónica, Madrid, (C). About Face, Hayward Gallery, London. Busan Biennale 2004, Seoul. Manifesta, San Sebastian.2003 A bigger s[lash – British art from Tate – 1960 – 2003, Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera, Sao Paul & Instituto Tomie Ohtake. (C) Contemporary British Art from the Paragon Collection, Hakodate Museum of Art, Hokkkaido, Japan. (C) Fast Foreward, Sammlung Goetz, (C) Strange Days, Museum of Contemporary Art, Chicago. Synopsis III - Fiction and Reality, National Museum of Contemporary Art, Athens Happiness: a survival guide for art & life, Mori Art Museum, Tokyo Outlook, International Art Exhibition 2003, Athens. (C) Inaugural Exhibition, Regen Projects, Los Angeles 2002 Face Off, Kettle's Yard, Cambridge and touring Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden. (C) Coming of Age, The New Art Gallery, Walsall To Whom it May Concern, California College of Arts and Crafts, San Francisco Just Love me/Die Wohltat der Kunst, Fries Museum Leeuwarden (2004), Bergen Museum of art (2003), Samnlung Goetz (2003), Staatliche 2002 Kunsthalle Baden-Baden (2002). (C) I promise it's political, Museum Ludwig, Cologne, (C). Remix: Contemporary Art and Pop, Tate Liverpool. (C). Bienal de São Paulo, Sao Paulo, Brazil. The Video Show, Centraal Museum, Utrecht. Acquisitions 2001 – Part 1: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens2001 Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool ABBILD recent portraiture and depiction, Landesmuseum Joanneum, Graz No World Without You, Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv. (C) W, Centre d’Art Mobile, Besançon, France Birmingham, Ikon Gallery, Birmingham Inner State of Health: The Person in the Mirror of Contemporary Art, Kunstmuseum Liechtenstein Biennale de Lyon art contemporain 2001, Lyon Milano Europa 2001, Palazzo dellaTriannale, Milan Confidence pour confidence, Casino Luxembourg, Luxembourg (C) Video Evidence, Southampton City Art Gallery, Southampton Film Festival Rotterdam, Museum Boijmans Van Beuningen Rotterdam, Rotterdam, The Netherlands Century City, Tate Modern, London 2000 Autowerke, Deichtorhallen, Hamburg. (C) Intelligence: New British Art 2000, Tate Britain, London. (C) Puerile ’69, The Living Art Museum, Reykjavík Tate Modern Collection, Tate Modern, London Contemporary Art Center, Cincinnati Sydney Biennale, Museum of Contemporary Art, Sydney Tate Britain Collection, Tate Gallery, London Let’s Entertain, Walker Art Center, Minneapolis and touring. (C) Quotidiana, Castello di Rivoli, Turin Makeshift, ArtPace, San Antonio, Texas1999 Rewind to the Future, Bonner Kunstverein, Bonn and Neue Berliner Kunstverein, Berlin People, Le Spot, contemporary art centre, Le Harve Hundstage, Gesellschaft für Aktuelle Kunst, Bremen Ex-Change, La Criee-Centre d’Art Contemporain, Rennes The Viewing Room, Kansas City Art Institute, Kansas City This Other World of Ours, TV Gallery, Moscow Rattling the Frame: The Photographic Space 1974-1999, SF Camerawork, San Francisco La Coscienza Luccicante, Palazzo delle Esposizioni, Rome 6th International Istanbul Biennial, Istanbul, Turkey, (C). Garden of Eros, Centre Cultural Tecla Sala, Barcelona Common People, Fondazione Sandretto re Rebaudengo per l’Arte, Turin Sweetie: Female Identity in British Video, The British School at Rome Searchlight: Consciousness at the Millennium, The California College of Arts and Crafts, Oakland. (C) Private Room / Public Space, Almeers Centrum Hedendaagse Kunst, Al Almere, The Netherlands1998 La Concienza Luccicante, Palazzo delle Esposizioni, Rome In Visible Light, Moderna Museet, Stockholm Fast Forward Body Check, Kunstverein, Hamburg Sensation - Young British Artists from the Saatchi Collection, Museum für Gegenwart, Berlin Contemporary British Art, The Museum of Contemporary Art, Seoul, Korea Galerija Dante Marino Cettina, Umag, Croatia UK Maximum Diversity, Galerie Krinzinger, Bregenz and Künste Wein, Vienna, Austria A Collection in the Making, The Irish Museum of Modern Art, Dublin Internationale Foto Triennale/Photography as Concept, Galerien der Stadt Esslingen, Esslingen, Germany Made in London, Musea de Electricidade, Lisbon. (C) La Sphere de L’Intime, Le Printemps de Cahors, Saint-Cloud, France. (C) Real/Life: New British Art, Japanese Museum Tour, Tochigi Prefectural Museum of Fine Arts, Fukuoka City Art Museum, Hiroshima Museum of Contemporary Art, Tokyo Museum of Contemporary Art Musée du Rochechouart, (with Valerie Jouve and Rineke Dijkstra), Rochechouart, France Videorama, Depot, Kunst und Diskussion, Vienna, Austria White Noise, Kunsthalle Berne, Switzerland. (C) ENGLISH ROSE in Japan (with Tracey Emin & Georgina Starr), The Ginza Artspace, Tokyo, Japan1997 a/drift, The Centre for curatorial Studies. (C) The Turner Prize 1997, Tate Gallery, London. (C) Private Face - Urban Space, co-organised by the Hellenic Art Galleries Association & The Rethymnon Centre for Contemporary Art, Athens & Rethymnon, Greece. (C) Strange days – British contemporary photography, Claudia gian ferrari arte contemporanea, Milan, Italy. (C) Tales from the City, Stills Gallery, Edinburgh Sensation, Saatchi Collection, Royal Academy of Art, London. (C) Pictura Britannica: Art from Britain, Museum of Contemporary Art, Sydney, Australia, travelling to Adelaide, Australia and Wellington, New Zealand Projects, The Irish Museum of Modern Art, Dublin Package Holiday - New British Art in the Ophiuchus Collection The Hydra Workshop, Hydra, Greece Splash, AAC Galerie Weimar, Germany I.D., Nouveau Musee, Villeurbanne, France Gillian Wearing/Barbara Visser, Bloom Gallery, Amsterdam, Holland Galerie Anne de Villepoix, Paris S.L. Simpson Gallery, Toronto, Canada In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford. (C)1996 I.D., Van Abbe Museum, Eindhoven, The Netherlands Life / Live, co - curated by Laurence Bosse & Hans-Ulrich Obrist, ARC (Musée d'Art Moderne de la Ville de Paris), France. (C) Full House -Young British Art, Kunstmuseum Wolfsburg, Germany Playpen & Corpus Delirium, Kunsthalle Zürich, Switzerland. (C) a/drift: Scenes From the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, New York The Aggression of Beauty, Galerie Arndt & Partner, Berlin. (C) Electronic Undercurrents - Art & Video in Europe, The Royal Museum of Fine Arts, Copenhagen Private View, Contemporary Art in the Bowes Museum, Barnard Castle, County Durham, co - curated by Penelope Curtis and Veit Görner, organised by the Henry Moore Institute The Fifth New York Video Festival, The Film Society of Lincoln Center, New York Toyama Now '96, curated by Iwona Blazwick, The Museum of Modern Art, Toyama, Japan The Cauldron, Henry Moore Institute, Leeds (C) NowHere, (Incandescent, curator Laura Cottingham), Louisiana Museum of Modern Art, Humlebaek, Denmark Auto-reverse 2, Centre National D'Art Contemporain Grenoble, France Traffic, CAPC Musée Contemporain Bordeaux, France Imagined Communities, Oldham Art Gallery; John Hansard Gallery, Southampton; Firstsite, Colchester; Walsall Museum & Art Gallery; Royal Festival Hall, London; Gallery of Modern Art, Glasgow. (C) Pandaemonium; London Festival of Moving Images, I.C.A, London1995 The British Art Show, National Touring Exhibitions. (C) X/Y, Centre Georges Pompidou, Paris Campo, Venice Biennale, curated by Francesco Bonami Sage, Galerie Michel Rien, Tours, France It's not a picture, Galleria Emi Fontana, Milan Brilliant! New Art from London, Walker Art Center, Minneapolis Brill: Works on Paper by Brilliant Artists, Montgomerie Glasgoe Fine Art, Minneapolis British Art Show 4, touring Great Britain Mysterium Alltag, Kampnagel, Hamburg, (with Jane & Louise Wilson, Tacita Dean, Tracey Emin) Aperto '95, Nouveau Musée, Institut d'Art Contemporain, Villeurbanne, France Hotel Mama (Aperto '95), Kunstraum, Wein, Austria Make Believe, Royal College of Art, London. (C) Mobius Strip, Basilico Fine Arts, New York Hello! Andréhn - Schiptjenko, Stockholm Gone, Blum & Poe, Los Angeles, (with Bas Jan Ader, Sam Durant, Rainer Ganahl) 1994 Le Shuttle, Künstlerhaus Bethanien, Berlin 3.016.026, Theoretical Events, Naples Uncertain Identity, Galerie Analix B & L Polla, Geneva Fuori Fase, Via Farini, Milan Domestic Violence, curated by Alison Jacques, Gio Marconi's House, Milan R.A.S, curated by Gianni Romano, Galerie Analix B & L. Polla, Geneva Not Self-Portrait, Karsten Schubert, London1993 BT Young Contemporaries; Cornerhouse, Manchester, Orchard Gallery, Derry, The Maplin Art Gallery, Sheffield, City Museum and Art Gallery, Stoke-on-Trent, Centre for Contemporary Art, Glasgow Okay Behaviour, 303 Gallery, New York Mandy Loves Declan 100%, Mark Boote Gallery, New York 2 into 1, Centre 181 Gallery, London Vox Pop, Laure Genillard Gallery, London 1992 Instruction, Marconi Gallery, Milan British Art Group Show, Le Musee des Beaux Arts dans Le Havre, France 1991 Piece Talks, Diorama Art Centre, London Clove 1, The Clove Building, London Empty Gestures, Diorama Art Centre, LondonBibliography2011 Yablonsky, Linda. “Gillian Wearing’s True Stories,” New York Times T Magazine, May 12Smith, Roberta. “Gillian Wearing: People,” New York Times, May 13, p. C25Bryant, Eric. “Gillian Wearing’s Role-Playing Games,” artinfo.com, May 9Hirsch, Faye. “Lawler, Wearing Put Women on Top at Gallery Week,” Art in America, May 10Galperina, Marina. “Artist Gillian Wearing Puts on Other People.” Flavorwire, May 252010 Corris, Michael, Hunt, John Dixon, & Lomas, David, “Art, Word and Image; 2,000 Years of Visual / Textural Interaction,” Reaktion Books, London, pp. 279 & 282. Sumpter, Helen, “What a load of rubbish!,” Time Out, 21 January, p.41. Velasco, David, “Preview; The Talent Show,” Artforum, January, p.91. “Tips: Gillian Wearing, The Gentlewoman”, Issue 1, Spring / Summer, p.139. Weinberg, Lauren, Rewind: 1970s to 1990s, Work from the MCA Collection, Time Out Chicago, 1 April2009 "Gilding Lily: Gillian Wearing on her latest muse." The Independent (online), January (illust.)Bonham-Carter, Charlotte and David Hodge. "The Contemporary Art Book." Goodman/Carlton Publishing Group: London, 2009, p. 236 (illust.)art round-up, The London Paper, 2 June 2009, p.15. Artists who play with the truth: Gillian Wearing, Plastique, Spring/Summer 2009, p.149. Benedictus, Leo, Gillian Wearing’s best shot, Guardian G2, 9 April 2009, p.25. Fisher, Alice, Maureen, Fantastic Man, Autumn/Winter 2009, pp.148-155. Gooding, Francis, Exhibition of the week: Summer Exhibition 2009, Time Out, 17 June 2009, p.44. Lennard, Mandi, Gillian Wearing at Rivington Grill, http://blogs.colette.fr/mandi/2009/06/11/, 11 June 2009. Lynch, Elizabeth, Gillian Wearing, Family Monument, Sculpture, May 2009, p.19. Carey-Kent, Paul, Me Myself and I, Art World, August/September 2009, pp.42-45. Morris, Sophie, Gilding Lily, The Independent Magazine, 24 January 2009, pp.22-23 & 25. Rafanelli, Stephanie, Capturing Claudia, Harpers Bazaar, November 2009, pp.127-139. Thorpe, Vanessa, Artists cast as saviours of British cinema, guardian.co.uk, 22 November 2009. Wearing, Gillian, The Most Inspirational Women – Voted For By You: Jade Goody, Marie Claire, June 2009, p.92. Why we’re doing 10:10; Gillian Wearing, The Guardian G2, 1 September 2009.2008 Myers, Holly, Gillian Wearing at Regen Projects, Los Angeles Times, August 15 (illustrated)Wearing, Gillain, Gillian Wearing: 500 Words, Artforum, July 2008.Beech, Dave, Include me out!, Art Monthly, April 2008, pp. 1-4. Schwabsky, Barry, Turner Prize: A Retrospective 1984-2006, Artforum, January 2008, p. 277. Dambrot, Shana Nys. "Gillian Wearing's Pin Up's at Regen Projects." White Hot Magazine, September (illustrated) Zellen, Jody. "Gillian Wearing." Artillery, Vol. 3, Issue 1, September/October, p. 53 (illustrated)2007 Innovative Ikon gets tough, Art World, December 2007, p.17. Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55. Marinos, Christopher, Focus Greece: Dakis Joannou, Flash Art, October 2007, pp.100-101. Meneghelli, Luigi, Italian Landscape: Gillian Wearing, Flash Art, July 2007, p 83. Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum/Merrell Breaking step/U raskoraku, Museum of Contemporary Art, Belgrade Cavallucci, Fabio & Natalicchio, Christina, Gillian Wearing: Family Monument, Work, Summer 2007, pp.39-49. Bosco, Orian, Formato tv, Work, Summer 2007, pp.50-51. Higgins, Charlotte, Who’s Shocking Now?, The Guardian Weekend, 8 September 2007, p.30. Julia, Princess, Turner Prize: A Retrospective, I-D, December 2007, p.172. Smolik, Noemi, Talking Pictures, Artforum, December 2007, p.367. Wearing, Gillian, On The Record, Art Review, November 2007, p.214.2006 Contemporary Subject, Routledge, 2006, pp 157-9. Briers, David, Insignificance, Art Monthly, April 2006, p7-10. Bock, John & Wearing, Gillian, directed by Cattelan, Maurizio, Tarzan & Jane: Madness, domus, 06 June 2006, p98&99. C, R, Making History: Liverpool, The Guardian Guide, 06 February 2006. Cousins, Mark, The aesthetics of documentary, Tate ETC, March 2006. Cripps, Charlotte, Arts Previews: These are the days of our lives, The Independent, 17 January 2006. Crompton, Sarah, When reality TV was the real world, The Daily Telegraph, 12 July 2006, p28. Von Mäusen und Menschen / Of Mice and Men, 4th Berlin Biennial for contemporary art, Hatje Cantz, 2006. Ewing, William A., FACE: The New Photographic Portrait, Thames & Hudson, 2006, p. 91. Gardiner, Juliet, Candid Culture, History Today, April 2006, p5&6. Gray, Louise, Sex, Lies and videotape – Tea with Gillian Wearing, Blind Date, 2006, p94& 148-151 & 217. Hruska, Libby, (editor), Eye On Europe: Prints, Books and Miltiples / 1960 to Now, The Museum of Modern Art, 2006, pp 225-6, 227, 259, 287. James, Sarah, Documenting Documentary, Art Monthly, April 2006, p1-4. Jefferies, Stuart, Get real, The Guardian, G2, 06 July 2006, p18-21. 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Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’, Gazette, 04 February 2006. News, Art Newspaper, March 2006. A Short history of Performance Part IV, Whitechapel Gallery, 2006 (C) View from the streets, The Guardian, 14 January 2006.2005 Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p18, 42-43. Cotter, Holland, Art Review, Irreducible, Videos, Long and Short, That Can Really Move, The New York Times, 16 December 2005. guardami, percezione del video, Palazzo Delle Papesse Centro Arte Contemporanea, 2005, p148-149. Colour Photography – Fifty Postcards, The Museum of Modern Art, Nº50. Irish museum of modern art – The Collection, The Irish Museum Of Modern Art, p180. Burnett Craig, The Legacy of Diane Arbus, V&A MAGAZINE, Winter 2005 - 6, p43. Cripps, Charlotte, From Gillian With Love, The Independent Magazine, 8 October 2005, pp 27 – 30. Coleman, Sarah, Interview with Gillian Wearing, Photo Metro, Volume 16, Issue 31, March 2005, p28-31. Dault, Julia, Body Slam, Vancovers mega-celebration of the human form holds nothing back, National Post, 07 July 2005. De Salvo, Donna, (editor), press PLAY, contemporary artists in conversation, Phaidon Press Limited, 2005, p642 - 657. Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, 2005. Field, Marcus, The Dark Art, The Sunday Review – The Independent on Sunday, 9 October, pp20 – 23. Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2. Herbert, Martin, Gillian Wearing, Bloomberg, Time Out London, Nº.1835, 16-26 October 2005, p42. O’Reilly, Sally, Self-reflexivity, Art Monthly, Nº289, September, pp 7- 289. O’Hagan, Sean, Put me off at the strawberry, The Observer, July 10, p10. Monthly, February, Nº283, pp31-33. Milroy, Sarah, They sing the body eclectic, National Post, 30 July 2005. Rugoff, Ralph, Irreducible: Contemporary Short Form Video, CCA Wattis Institute for Contemporary Arts, San Francisco, p 11. Cavalli, Roberto, Party Party Party, Tatler, September, p155-157 & 170. Thatcher, Jennifer, Review, Gillian Wearing, Snapshot, Bloomberg SPACE, Pluk, Issue 27, November - December 2005, p34-35.2004 Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p30, 196. Kent, Sarah, Visage d’or, Time Out, 8-15 December Cornell, Frida, Stillsamma Samt, Konstperspektiv, p. 8 – 11, September. Ouroussoff, Nicolai, Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern, The New York Times, 15 November Bush, Kate, Young British Art: Kate Bush on the YBA sensation, Artforum, October. Fox, Dan, Manifesta 5 European Biennial of Contemporary Art, Frieze , September. Frigstad, Gard Olav, Manifesta med selvtillit, Aftenposten (Norway), August, p10. Roos, Robbert, Een Wereld In Het Hoofd, Kunstbeeld, p. 6 – 13, September. Velde, Paola van de , Jeugdtrauma’s en familieportretten, 20 June Cameron, Dan, I’m Deperate: Gillian Wearing’s Art of Transposed Identities, Parkett, No. 70, May 2004, p98-103. Rabinowitz, Cay Sophie, Gillian Wearing on her Album Series (2003), Parkett, No. 70, May 2004, p124-127. Burn, Gordon, The Encounter with Reality, Parkett, No. 70, May, p108-115. Gilian Wearing, NRC, 20 May Wesseling, Janneke, Wearing kijkt achter het masker, NRC, 18 May Huygen, Frederike, Biechtstoel of peepshow, Museumtijdschrift, April May Wetering, Geert van de, De wanhoop van Gillian Wearing, De Volkskrant, 21 April Pagel, David, Fantasy, Reality: Wearing her Art, Los Angeles Times, 9 April Poppe, Ine, Kunstmatige families, Mr Motley – Familie Issues, Nº2, pp54-59. Keijer, Kees, Biechten aan de videocamera, Het Parool, 7 April Hoore, Cees van, Het duistere innerleik van de mens, Haarlem Dagblad, 3 April Dunn, Melissa, Gillian Wearing, Gorney Bravin + Lee, Flash Art, March - April Kivirinta, Marja-Terttu, Tuskallisia tunnesiteitä, Helsingin Sanomat, 6 March Taylor, John Russell, Glad Hand for a Baltic Exchange, The Times, 3 March Schwabsky, Barry, The eyes have it: Gillian Wearing on Diane Arbus, Artforum, February Vincent, Martin, The British Art Show, Metro, 24 November 2004. Art Newspaper, February 2004. Losing Face / Saving Face, About Face, 24 June 2004.2003 Campony, David, Art and photography, Phaidon, p128. Sumpter, Helen, Gilian Wearing, Art Review, December 2003/January 2004 Johnson, Ken, Gillian Wearing, ‘Album’, The New York Times, 19 December Tebbs, Paul, Album, Gillian Wearing, Source, Winter 2003 Mcafee, Dionne, Gillian Wearing, Canadian Art, Fall 2003 Aletti, Vince; Blank, Gil; Neri, Louise; Traub, Charles, How have some of the questions that Meatyard was asking been approached by successive generations? Influence, Issue 1, p 36-41. O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. 1733 Slyce, John, That Essence Rare: Gillian Wearing’s Family Album, contemporary, 2003, p26-30. Smee, Sebastian, The art of the matter, The Independent Magazine, 18 October Princenthal, Nancy, Gillian Wearing, Private I, Art in America, Nº3, March2002 City Racing – The life and times of an artist run gallery, 1988 - 1998, Black Dog Publishing. New title – Gillian Wearing, Mass Observation, Merrell, Autumn, p13. Gravagnuolo, Emma, Piú forte dello scandalo, Arte, November Morton, Tom, Everyone’s a Winner, Tate, November/December 2002, p70-75. Smith, Roberta, How Masks can Amplify as Well as Conceal, The New York Times, 3 December Craddock, Sacha, gillian wearing, tema celeste, No. 93, September/October Coomer, Martin. Vogue's galleries, Time Out, Nº1675 25 Sept - 02 Frankel, David, Gillian Wearing, Artforum, XLI, No.1, September Christophe Kihm, Les DJ Sont-Ils Modernes? briseglace, June Calhoun, Dave. ‘Another Thing I Wanted to Tell You’ by Gillian Wearing, Another Magazine, Spring Summer2001 Berrebi, Sophie. Génération Sensation, Connaissance des Arts, Nº589, December Grosenick, Uta & Burkhard Riemschneider, Icons - Art Now, Taschen, pp 170–171. Strange, Raimer. The Public is Private, Women Artists in the 20th & 21st Century, publ. Taschen, pp536-541. Wainwright, Jean. Can we talk about contemporary video and film art in terms of genres, PLUK, Issue 2, September October Long, Declan. Edge of Anxiety: Artists at the City Limits, ssi newsletter, September October Rodney, Lee. Nostalgia and Nationalism/Two London Surveys, C International Contemporary Art, Issue #70 Summer Gualdi, Stefano. Gillian Wearing, Fundacio “la Caixa”, Madrid, tema celeste, 85, May June Newman, Michael. The Demotic Art of Gillian Wearing, Parachute, 102 Shreef, Zaria. Semi-detached, The Big Issue in the North, 05-11 March Howarth, Sophie. Pretty fascinating boredom, tate, Issue 24/Spring San Martin, Francisco Javier, Freedom under vigil. Artistic creation and criminal identity in 20th Century Art, Exit, January 2001. 2000 Myers, Holly. Beginnings and Endings, The Los Angeles Times, 29 December. Ramos, Steve. A Cin ema of Loneliness , City Beat (Cincinnati, citibeat.com), 16-22 November Shone, Richard, London, Gillian Wearing, Burlington Magazine, November Gleeson, David, True confessions, britart.com, November Bishop, Claire. Uncomfortable Observations, Untitled, Nº 23 Vogel, Carol. Inside Art: Beemer Shots, The New York Times, 13 October Gleeson, David. True Confessions, britart.com, October Buck, Louisa, Moving targets 2 – A user’s guide to British art now, Tate, pp 103-105. Kent, Sarah. Drunken exploits, (Critics Choice), Time Out, Nº1572, 04-11 October Brown, Neal. My name is Gillian. I can turn your sad life into art, The Independent on Sunday, 01 October Molon, Dominic. Framed: Gillian Wearing, Tate: The Art Magazine, August Cork, Richard. Unmasking mystery in the mundane, The Times, Times 2, 27 September Bishop, Claire. The pleasure in pain, The Evening Standard, 27 September Riding, Alan. Another Opening, Another Sensation, The New York Times, 25 September Cumming, Laura. A staggering work…, The Observer Review, 17 September Jones, Jonathan. Down and out, The Guardian Saturday Review, 16 September Sawyer, Miranda. Daring Wearing, Observer Life, 03 September, p10-15 Sex & Porno, frame, 04 September/October Schwabsky, Barry. Gillian Wearing, Gorney Bravin + Lee, Artforum, XXXIX, Nº1, September Graham-Dixon, Andrew. Wearing Masks, Vogue, September Wearing, Gillian, How I want my clothes to be seen, Dazed & Confused, September 2000. Kent, Sarah. Brains of Britain, Time Out, Nº1560, 12-19 July Slyce, John & Collings, Matthew. Video Art A Top Twenty, Modern Painters, Summer K. Scott, Andrea. What They’re Wearing in Chelsea,Viveros-Faune, Christian. Fall Down, Get Up, No Problem,New York Press (nypress.com), Vol 13, Nº 19Basilico, Stefano. Gillian Wearing, Drunk and A Woman Called Theresa, Time Out,11-18 MayLevin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 MayTownsend, Chris. Gillian Wearing, Hotshoe International, March AprilI’OR, The new Brits on the block, Tate, March 2000.Bishop, Claire. being boring, Untitled, Nº 21Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 JanuaryPilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 JanuaryLützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 JanuaryMercer, Kobena. Ethnicity and Internationality, Third Text, Nº49Gorucheva, Tania. This Other World of Ours, Flash Art, January February1999 Dreams, Foundazione Sandretto Re Rebaudengo, Realised on the occasion of the 48ºEsposizione Internationale d’Arte – The Venice Biennial of Visual Arts.The British Unveil Another World, The Russia Journal, 6-12 DecemberRushton, Steve and Tozer, John. Gillian Wearing,Camera Austria International, Nº 68Gallez, Florence. Nukes, Lovers Get Their 15 Minutes,The Moscow Times, 19 NovemberMüller, Donka. Rewind to the Future, Bonner, NovemberPreviews: Rewind to the Future, Contemporary Visual Arts, Issue 26Thrift, Julia. Gillian Wearing, Interim Art,Time Out, Nº1525 November 10-17Cumming, Laura. Gillian Wearing, Interim Art, The Observer, 07 NovemberGrant, Simon. All about love, The Guardian Guide, 16-22 OctoberJones, Jonathan. What a scream,The Guardian Guide, Saturday Review, 23 OctoberCollings, Matthew. rabble rousing, Vogue, OctoberTitz, Susanne. Gillian Wearing, Art at the End of the Millennium,publ. by Taschen, Cologne.Gladstone, Neil. Book Marks: Gillian Wearing, Nylon, Premier IssueTone, Lillian. Gillian Wearing, The Museum as Muse: Artists Reflectpubl. Museum of Modern Art, New York 1999, p. 168Polaroid Diary, The Observer Magazine, 02 MayBennett, Oliver. Exhibitionist, The Independent Magazine, 01 Maywears well, i-D, Nº 186, MayGreenberg, Sarah. Gillian Wearing v. Saatchi, The artist claims thead man stole her idea, The Art Newspaper, Nº 91, AprilTakano, Yuko.‘99 What’s New?, Figaro, Japan, Nº 1501998 Lillington, David, Voyeuristiche Pleziertjes – Interview Gillian Wearing, MetropolisM, Nº6, December/January 1997/1998, pp51-57.Sanger, Daniel. Declaration of Independents: Seven People who choose to beDifferent, Shift, December /January 1999 (cover portrait)Allen, Vaughn. Hide and seek, The Big Issue in the North,Nº 241, 28 December 1998 - January 3 1999DiPietro, Monty. Artist asks, ‘What’s your sign?’, The Japan Times, 24 OctoberKino, Carol. Cutting Edge, but comfy, The Atlantic Monthly, NovemberStern, Edward. Translating the Big Idea into Japanese,Asashi Evening News, 22 OctoberNeumaier, Otto. Alles bekennen... Gespräch mit Gillian Wearing,noëma art journal, Nº 49, October/NovemberGillian Wearing, Habitat Art Broadsheet, October 1998.Picture, Frieze, Issue 42, September OctoberWilliams, Gilda. Wah-Wah: The Sound of Crying or the Sound of an ElectricGuitar, Parkett, Nº 52, p146-149Buck, Louisa, VW bugs Wearing, The Art Newspaper, July - AugustMiles, Anna. Pictura Brittanica, Te Papa Museum, Tongewara,Artforum XXXVI Nº 10 SummerMcGann, Paul. VW ad firm stole my ideas, claims artist,The Independent, 12 JuneCarol Midgley. VW ad rips of my work, says artist, The Times, 12 JuneTurner Prize Winner issues legal threat to BMP over VW ads,Campaign, 12 JuneColeman, Sarah. Interview with Gillian Wearing,photo metro, volume 16, issue 149T. Turner, Grady. Gillian Wearing, BOMB, SpringDel Re, Gianmarco. Why would a businessman say “I’m deperate”? A-Z ofGillian Wearing, Flash Art, Vol. XXXI Nº 199, March - AprilSlyce, John. Wearing a Mask, Flash Art, Vol. XXXI Nº 199, March - AprilSmith, Roberta. Art of the Moment, Here to Stay,The New York Times, Arts and Leisure, 15 FebruaryCork, Richard. Wearing her heart on the sleeve, The Times, 13 JanuaryIsrael, Nico. Gillian Wearing, Artforum, JanuaryPrincenthal, Nancy. Gillian Wearing, Art in America, JanuaryCampbell-Johnston, Rachel. Wearing: her heart on her sleeve,The Times/metro, Jan. 3 - Jan. 9Emin, Tracey, Freedman, Carl, Starr, Georgina, Wearing, Gillian, English Rose, LeMillenium, No 23 1998.1997 Coleman, Sarah, London Rundown, Photo Metro, Vol15, Issue 143, 1997, p32-33.Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97,Thames & Hudson, p68, 74, 84, 91, 187.Riding, Alan. No Sexism, Please; They’re British, New York Times/The Arts,December 29Johnson, Boris. Portrait of the artist of silent nuances,The Daily Telegraph, December 8Fuller, Wendy. Modern art? This is worthy of Constable,The Express, December 3Thorncroft, Anthony. Artist brushes paint aside to win Turner Prize,The Financial Times, December 3Ginn, Kate. & Judd, Terri. Constable picture wins the Turner(no, not that Constable), Daily Mail, December 3Alberge, Dalya. Moving pictures take Turner Prize, The Times, December 3Lister, David. Uproar as video entry snaps up the Turner,The Independent, December 3Reynolds, Nigel. ‘Frozen Policemen’ video wins Turner Prize, The Telegraph,December 3Searle, Adrian and Serota, Nicholas, Turner Prize winner: GillianWearing’s arresting image, The Guardian, December 3Glaister, Dan. Silence is Golden for Turner winner, The Guardian, December 3.Wearing, Gillian, Kelly and Melanie, Elle, December 1997, p84-89.Lewis-Smith, Victor. Kylie at arm’s length as she hits topless C,The Evening Standard, 14 NovemberGoldberg, Vicki. The Artist Becomes a Storyteller Again,The New York Times, 9 NovemberBuck, Louisa. Life, Art and the Turner Women,The Evening Standard, 28 OctoberBuck, Louisa, Moving targets: A users guide to Brittish art now, Tate, pp93-95.Kimmelman. Gillian Wearing, The New York Times, Art Guide, October 24Greene, David A. Kids, Village Voice, October 21Slyce, John. The Odds on the Turner Prize, Flash Art, OctoberJobey, Liz. A rat race?, The Guardian Weekend, 4 OctoberCollings, Mathew, Blimey, 21, p126.Collings, Matthew. The New Establishment,The Independant Sunday Review, 31 AugustMurphy, Fiona. A shopping sensation,The Guardian Weekend, 27 SeptemberWiener Secession 1997, Gillian Wearing , (catalogue)The New York Times, 26 September 1997MacMillan, Ian, Signs of the Times, Modern Painters. Autumn 1997Hoge, William, Arriving in New York After Taking Off in London /Video Maker with a Taste for Secrets. The New York Times, 14 Sept. 1997Ronson, Jon, ORDINARILY SO. Jon Ronson on documentary film-making andGillian Wearing, frieze, Issue 36 September-October 1997Feldman, Melissa E., Gillian Wearing at Interim Art,Art in America, July 1997. p. 102Fiedler, Peter- Alexander. Diesen Sommer badenwir in der virtuellen welt, TLZ Treffpunkt, Nº 672, 26 JulySchierz, Kai Uwe, Verführung der Kirschtorte, Thüringen, Nº 30 26 JulyLaws, Roz, The art of making a £10,000 video.The ‘failure’ from Brum who made it to the top. Sunday Mercury,Birmingham, July 13 1997 p. 13Dahan, Eric & Lefort, Gerard, Par dela le corps gay et lesbien,Liberation, 28-29 Juin Cahier EuroprideBuck, Louisa, Three cheers for art that shatters complacency.The Express, June 19 1997Alberge, Dalya, All-women shortlist takes Turner by suprise.The Times, June 18 1997Reynolds, Nigel, The Turner shortlist is for women only.Daily Telegraph, 18 June 1997Glaister, Dan, A woman’s place - in the gallery. The Guardian, 18 June 1996Stringer, Robin, The all woman Turner Prize and not a painting in sight.The Evening Standard, 17 June 1997Blazwick, Iwona, City nature, Art Monthly, No. 207, June 1997, P. 10Dorment, Richard, Out of the mouths of babes,The Daily Telegraph, May 21 1997Coomer, Martin, Gillian Wearing, Time Out, Nº 1396, May 21-28 1997Wearing their heart on her sleeve, The Art Newspaper, Nº 70 May 1997Searle, Adrian, Bring on the naked dwarf, The Guardian,May 6, 1997, G2 P. 14Lyttelton, Celia, Indecent Exposures, Esquire, May 1997, P. 34Higgie, Jennifer, Gillian Wearing, Frieze, Issue 33,March - April 1997, P. 80Ebner, Jorn, Tramdeutung und Befragen, neue bildende kunstFebruar - Marz 1997, P. 80Williams, Gilda, New Work, Art Monthly No. 203, Feb. 1997 P. 26 - 27;Gibbs, Michael, ID - An International Survey on the notion of Identity inContemporary Art, Art Monthly No. 203, Feb. 1997 P. 34 - 36Judd, Ben, Interview with Gillian Wearing,Untitled No. 12, Winter 1996/7, p4-51996 Lyttleton, Celia, The now art book, Korinsha Press, pp168-169.Wearing, Gillian, guest: Gillian Wearing, Documents sur l’art, Nº9, pp41-66.Muir, Gregor, Sign Language, Dazed & Confused Issue 25, P. 52 - 55Kent, Sarah, New Work, Interim Art, Time Out, Dec 11-18ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir,published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97Muir, Gregor, Sign Language , Dazed and Confused, No. 25, P. 52 - 55Artisti britannici a Roma, 82 page catalogue, published byUmberto Allemandi & C, Torino , ItalyThe Henry Moore Institute, Leeds. The Cauldron (catalogue)published by The Henry Moore Institute, LeedsPrivate View - Contemporary Art at the Bowes Museum, (catalogue)Simmons & Simmons, London, Made in London, (catalogue)NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, DenmarkGarner, Lesley, Cops on top in Cauldron, Daily Express, August 2, P. 40Usherwood, Paul, The Cauldron, Art Monthly, July / Aug, Nº 198, P. 30 - 31Hall, James, Letter From London - Towers of London, Artforum,Summer issue, P. 31 - 33Buck, Louisa, Silver Scene, Artforum, Summer issue, P. 34 - 36Bang Larsen, Lars, Traffic, Flash Art, Summer issue, Nº 189, P. 126 -127Walters, Guy, State of the Art, The Times Magazine on Saturday, 20 JulyBickers, Patricia, The Young Devils, Art Press, June, Nº 214, P. 34 - 35Traffic, catalogue by CAPC Musée D'Art Contemporain BordeauxLe Shuttle, 150 page catalogue, published by Künstlerhaus BethanienImagined Communities (catalogue) National Touring Exhibitions, Hayward Galleryand Arts Council Collection.Photography and styling: Tillmans, Wolfgang, Traffic, Switch, Vol 14, No. 3, April1996.Imagined Communities, BlueprintMasterson, Piers, Imagined Communities, Art Monthly, March, Nº 1941995 Januzczak, Waldemar, Cool Britannia,The Sunday Times-Culture Section, 3 DecThese are the Rising Stars of 96', Independent-Weekend Section, 30 DecCork, Richard, Forthcoming Attractions, The Times Magazine, 18 NovCorrigan, Susan, Get the Picture, British Art's Next Superstars,I-D Magazine, DecemberKastner, Jeffrey, Brilliant, Art Monthly, Dec / Jan 1996Garnett, Robert, The British Art Show, Art Monthly, Dec / Jan 1996Tomkins, Calvin, London Calling, The New Yorker, 11 DecemberSmith , Roberta, Some British Moderns Seeking to Shock,New York Times, DecemberMacRitchie, Lynn, Shock Artists, Financial Times,17 NovPatrizio, Andrew, Hayward Shoot Out, Galleries Guide, SeptemberHall, James, Butterfly Ball, Guardian, 14 NovSearle, Adrian, British Art with Attitude, Independent, 14 NovFeaver, William, Where Theres a Wilt…, Observer Review, 19 NovBarratt, David, Hayward Gallery, Art Monthly, NovGayford, Martin, Youth, formaldehyde and the spirit of the age,The Telegraph Magazine, 11 NovCurrah, Mark, Group Show; Interim Art, Time Out, 11 OctMorrish, John, Wildlife, Martyrs to their art, Telegraph Magazine, 7 OctSearle, Adrian, Faces to Watch In The Art World, Independent, 26 SeptHall, James, Western Security, Guardian, SeptCurrah, Mark, Action Replayed, Time Out, 20 SeptHarvey, Will, Bodies of Work, Observer Life Magazine, 9 SeptCavendish, Dominic, Gallery Gunslingers on a Shoot to Thrill,Independent,11 September, P. 6Wearing, Gillian, Homage to the Woman with the Bandaged Facewho I saw Yesterday Down Walworth Road, Blocnotes, Numero 9, P. 18 - 19A Short Love Story by Gillian Wearing, Nummer 3, Sept, P. 81Bonaventura, Paul, Profile: Wearing Well, Art Monthly, March, Nº 184Faure Walker, Caryn, Signs of the Times, Creative Camera, Feb. / MarchCosmo Landesman & Simon Rogers, Talking Pictures, The Big Issue,6 - 12 Feb, Nº 116, P. 12 - 14Kent, Sarah, Make Believe, Time Out, 22 Feb - March, P. 46British Art: Don't Knock It, Independent Weekend, 24 June, P. 1 & 41994 Lillington, David, Real Life in London, Paletten, April, Nº 219, P. 12Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62Muir, Gregor, World Art Magazine, Inaugural U.S Edition,November, P. 117Jaio, Miren, Cinco Artistas Inglesas: Voces En El Espacio, Lapiz,Oct / Nov, Nº 106, P. 12 - 19Currah, Mark, Time Out, Nº 1245, 29 June - 6 July, P. 50Craddock, Sacha, The Times, 14 JuneSavage, Jon,Vital Signs, Artforum, March issue, P. 60 - 63,Bush, Kate, Vox Pop, Untitled, LondonHarpers Magazine, Vol. 288, Nº. 1728, P. 211993 Feaver, William.Treasures in the Wendy House of the Lost Boys,The Observer, 4 July, Arts 4 / P. 59Guha,Tania.Time OutArcher, Michael. O Camera O Mores, Art MonthlyStallabass, Julian. Power to the People, Art MonthlyGraham-Dixon, Andrew. That Way Madness Lies, The IndependentFlash Art, ItalyMilner, Catherine. Positive Exposure for New Talent, The Saturday Times1992 Hype, The Face, No. 51, December The Independent on Sunday, 27 DecemberPublications2007 Family History, Film and Video Umbrella, Maureen Paley, London2006 Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne2002 Mass Observation, Museum of Contemporary Art, Chicago2001 Broad Street, Gillian Wearing, Museu do Chiado, Lisbon Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris Gillian Wearing, Fundacio “la Caixa”, Madrid2000 Gillian Wearing, Serpentine Gallery, London1999 Gillian Wearing Phaidon Press, London A Woman Called Theresa, The Hydra Workshop.1997 Signs that say what you want them to say and not Signs that say what someone else wants you to say Maureen Paley Interim ArtProjects1998 South Bank Show, London Weekend Television1996 Guest editor, Documents sur L'art1994 Rooseum Video Programme, Rooseum Center for Contemporary Art, SwedenHolly Street Estate Art Project, LondonAwards2007 Grazia o2 X Award for Art2002 British Television Advertising Award, Public Service: Gold1998 For 2 into 1, Oberhausen Short Film FestivalPrize of the Ministry of Employment, Social Affairs and Urban Development,Culture and Sport1997 Turner Prize 1997 (C)1993 BT Young ContemporariesPublic CollectionsAlbright-Knox Art Gallery, Buffalo, New YorkARC, ParisArts Council of England, LondonThe British Council, LondonContemporary Art Society, LondonThe Government Art Collection, LondonThe Henry Art Gallery, University of Washington, SeattleHirshhorn Museum and Sculpture Garden, Washington, DCSolomon R. Guggenheim Museum, New YorkInstitut d'Art Contemporain Collection FRAC Rhône-AlpesIrish Museum of Modern Art, DublinKunsthaus Zürich, SwitzerlandLeeds City Art Gallery, LeedsLos Angeles County Museum of Art, Los AngelesMuseum of Modern Art, New YorkSaatchi Gallery, LondonSouthampton City Art Gallery, SouthamptonSouth London Gallery, LondonSimmons & Simmons, LondonTate Britain, LondonWalker Art Center, Minneapolis